• Wolfgang Amadeus Mozart’s last unfinished masterpiece, the Requiem Mass K 626 in D minor, is a complex tangle of paradoxes and enigmas that has sparked debates among historians and musicologists, spurring speculations and kindling fervor. Only the Introit: Requiem aeternam was finished by Mozart, who penned the central sections of the composition, intermittently marking out the melody of the background music. The Kyrie, Sequentia (halted at the first eight bars of the Lacrimosa), and Offertorium reached this point. After his demise, Mozart’s wife Constanze tasked her husband’s three students with finalizing the Requiem in a bid to honour the original vision of the piece, but only Franz Xaver Süssmayr persisted. From the outset, there is an atmosphere of distress, akin to the composer’s apprehension of mortality and judgment, almost as if it were already looming.

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